"And I beheld, and heard the voice of one eagle flying through the midst of heaven,
saying with a loud voice: Woe, woe, woe to the inhabitants of the earth....
[Apocalypse (Revelation) 8:13]

Sunday, August 23, 2015

Website Warning: Latin Mass Society is Evil

Website Warning: Latin Mass Society is Evil
More Expose on Pseudo-Traditionalism

This strange website is trying to make the "latin mass" seem cool by integrating modernity and even highly occultic/masonic symbology onto its page. Where is the Faith and true Mass not attacked these days! The enemy cloaked on a supposed "traditionalist" site. Catholicism and ancient paganism do not mix. This site is affiliated with other pseudo trad sites like Father Z & Rorate. Have I not been warning you all to avoid these poisonous pseudo traditionalists in "full communion" with modernist Rome. Let us have a look

                                          Isis standing between the pillars  

As stated by Albert Pike the Egyptian god Horus and the star Sirius are often associated. In Masonic symbolism, the eye of Horus (or the All-Seeing Eye) is often depicted surrounded by the glittering of light of Sirius. A Masonic tracing board depicting the sun above the left pillar (representing the masculine), the moon above the right pillar (representing feminine) and Sirius above the middle pillar, representing the “perfected man” or Horus, the son of Isis and Osiris. Notice the “Eye of Horus” on Sirius.

Columns (pillars) Albert Pike gives us the explanation for these two Masonic columns, both of which depict a serpent.  "Serpents encircling rings and globes, and issuing from globes, are common in the Persian, Egyptian, Chinese, and Indian monuments.  Vishnu is represented reposing on a coiled serpent, whose folds form a canopy over him."  [Pike, Morals and Dogma, teachings of the 25th Degree, Knight of the Brazen Serpent , p. 500] However, we are in for a rude shock.  Notice that the column on the left not only has a serpent encircling a globe, but notice also that the globe itself has wings.  Another source quotes H.G. Wells as saying that the winged globe is "to become the symbol of the New World Order when it overtly rules the world." [Fritz Springmeier, The Watchtower and the Masons , Portland, Oregon, 1992, p. xi] http://www.cuttingedge.org/free15.htm

  The two columns called the “Pillars of Hercules” in Ancient Greece stood at the gateway to the sphere of the enlightened

 You get the Idea!
The Eye of Ra, Eye of Horus and wedjat eye are all different names given to representations of eyes with similar distinctive markings which appear throughout Ancient Egypt on  tomb and temple surfaces, on objects and in the form of jewellery and amulets.  The underlying beliefs and ideas associated with these representations are often confusing, particularly given that the different forms of the eye are not always well characterized and distinguished from each other.

The eyes, in the shape of a human eye with the markings of a falcon, is one of the best known images from ancient Egypt and is still popular today as a modern symbol evoking ancient Egypt.  Some of the standard texts on Egyptian religion make only passing reference to the eye forms, if they make any reference to them at all, and that even when they do they often fail to distinguish between the Eye of Horus and the Eye of Ra, or to define the wedjat eye.  The authors who have tackled the topic have made it clear why others have either skimmed the subject or avoided it entirely:  the subject is far from straight forward.

What follows in this short article is a simple explanation of the Eye of Horus and the Eye of Ra, and the use of a generic eye (from here on referred to as “the Eye”), as a religious motif and magical symbol.
The origin and original  significance of the design of the Eye are unknown. Although the pupil, iris and shape of the eye are human in form, the markings around it are thought to be derived from the falcon, which were often associated with both the sun-god god Ra and with the sky deity Horus.  Ra and Horus were both important deities from the earliest periods of Egyptian formal religion.  Both have powerful links with solar themes and both were closely associated with the Pharaoh.   The representation of the Eye was very common from the Old Kingdom onwards, and had general associations of healing, protection, restoration and vitality.  It is often referred to as the wedjat eye.

The Eye of Ra

The Eye of Ra is mentioned in numerous myths, and even when the same core myth is recorded there tend to be many variations.  Ra is one of the great solar deities of ancient Egypt, central to a number of creation myths.  He shares many features with the deity Atum, with whom he was often syncretised in various myths. He was a creator god, ruler of the universe, the first king of Egypt, the sun, often shown as a hawk or falcon with a sun disk surrounded by a serpent on his head.

In the Heliopolis creation myth the creator deity is Atum, or Atum-Ra, later identified simply as Ra.  Ra creates two children, a male, Shu (air) and his sister Tefnut (moisture).  Shu and Tefnut in turn produced Geb (the earth) and his sister Nut (the sky).   The children of Geb and Nut were Osiris, Isis, Seth and Nephthys.  Between them they were known as the Heliopolis Ennead (or nine).  Geb and Nut were forced apart by their father Shu to produce the sky above, the earth below, and the air and moisture between them – the realm of living humans.    In a version of the creation myth dating back to the Old Kingdom Pyramid Texts, Shu and Tefnut become lost in the Primeval sea.  Ra sends his eye to search for them.  When the eye returns she is so grieved to see that Ra has replaced her with a new eye that she sheds tears.  Her tears gave birth to humanity.  Thereafter, when the eye goddess was at Ra’s side, she took the form of a serpent coiled on the deity’s forehead, poised to fight his enemies, now known as the uraeus and best known from the Eighteenth Dynasty golden mask of Tutankhamun, although images of the uraeus are known from as early as the First Dynasty.  The Eye of Ra was always able to leave Ra, to act as a servant of the god Ra in the form of an eye goddess.
In different myths the Eye is assigned to other mainly female deities, usually his daughters.  The best known of these are the goddesses Hathor (sometimes represented as a cow), Sekhmet (a lioness), Wadjet (usually shown as a cobra), Mut (sometimes shown as a vulture), Bastet (a cat), Nekhebet (another vulture deity) and Tefnut (usually shown as a lioness).  In the Middle Kingdom Coffin Text IV Hathor makes the statement that she is the eye of Horus.  Other lion deities associated with the Eye were Mehkit and Mesjet, the latter being a specific form of the Eye of Ra known only from a stela of the 21st Dynasty found at Abydos and now in Brussels.  Decorative elements on artefacts representing Bastet  sometimes bear solar images including the  Eye.  Baboons were believed to greet the sun as it rose and representations of the baboon are often shown holding the eye.  The Eye is also commonly shown in association with various forms of the divine cow, particularly Mekhweret and Hesat.  In the 17th chapter of the New Kingdom “Book of the Dead” the divine cow is referred to as the “Eye of Ra”.   In all guises the female eye of Ra tends to be vengeful to the enemies of Ra, delivering violence, destruction, sickness and even death.

Perhaps the best known of the stories associated with the Eye of Ra is the myth that tells of the rebellion by Ra’s human subjects. When the god became old some of his subjects rebelled against him.  Ra responded by sending his Eye, in the form (usually) of Hathor to punish his enemies.  Hathor, a peaceful deity, took the form of Sekhmet, a powerful lioness goddess of war and vengeance.  In the form of the Eye, Sekhmet was so vengeful that she nearly destroyed humanity, in spite of Ra’s attempts to prevent further bloodshed. Ra was forced to conspire against his daughter in order to prevent the annihilation of the human race.  Successful, but exhausted, he abdicated his throne and assigned the task of teaching wisdom to the human race to the god Thoth.  Hathor raised Ra to the skies where he became the sun.

In another version of the myth, Ra and the eye goddess have a disagreement about her treatment of humanity and she flees to the desert (or the land of Punt, depending on the version) until Ra can eventually lure her back.  There are various indications in the desert regions that the solar eye was an important deity in these areas, and that the routes that travellers used to traverse the desert between the Nile and the oases and elsewhere were considered to be the routes by which she might herself have returned to the Nile to be with Ra.  One example, from Wadi Hilal near Elkab, is a place of worship for a localized form of the solar eye.  Another comes from the temple of Medamud where a wall of the central kiosk at the entrance to the temple contains a hymn to Hathor the Gold, which celebrates the return of the goddess in the form of a solar eye to the Nile valley with an entourage of humans and animals.

In the Book of the Two Ways, one of the Middle Kingdom Coffin Texts, the Eye of Ra is robbed or damaged by the serpent deity Apep.  Ra is wounded but emerges triumphant.  This theme is also picked up in New Kingdom funerary texts.
Perhaps because he was the son of Atum-Ra, Shu is also associated with the Eye of Ra.  Shu is usually represented in human form with an ostrich feather on his head, or with the head of a lion.  In the latter guise he was worshipped as a form of the Eye of Ra at Leontopolis (modern Tell el-Muqdam) in the Delta.

As the sun god, Ra was closely associated with the Pharaoh, whose name from the 5th Dynasty onward included the title Son of Ra, indicating that the Pharaoh was the direct descendant of the deity himself.  The first three kings of the Fifth Dynasty were said to have been born of Ra by a human woman, witnessed by Isis, Nephthys, Heqat and Meskhenet.  A number of pharaohs also incorporated the name of Ra into their own names – for example, the name Ramesses means “born of Ra.”  The Pharaohs adopted the uraeus, the symbol of the eye as a serpent poised for battle on the forehead of Ra, on the pharaoh’s crown during the New Kingdom.

The Eye of Horus

Horus was an early deity, represented as a cosmic entity, whose eyes were the sun and moon.  The mythology associated with Horus is complex and the character of the deity changes over time.  From being a cosmic falcon he later becomes the son of Isis and Osiris and is important in various myths involving his parents and his uncle Seth, and he also became closely associated with other deities.  For the pharaohs he was important as one of the first rulers of Egypt, inheriting the throne from his father Osiris, a throne which he ascended to only after conflict with his uncle Seth – a battle of titans which represents the winning of order (maat) over chaos (isfet).  Although Ra was the first king of Egypt, Horus is usually considered to have been the role model for Egyptian kings.

Somewhat confusingly there are two forms of Horus.  Horus the Elder was the cosmic falcon whose eyes were the sun and moon.  In his other form, Horus Son of Isis, he was the young heir to the throne of Osiris who fought Seth for the throne and avenged his father to become Egypt’s ruler.  By the Middle Kingdom most kings associated themselves with this latter form of Horus.

The association of the Eye with the deity Horus begins with the myths of the disputes between the deities Horus and Seth, called the Contendings of Horus and Seth.  Seth is usually portrayed as a negative force and in early version of the myths is the uncle of Horus (in later version he is described as his brother).  In the myth Seth murdered Osiris, the father of Horus in order to gain the throne.  Horus, of course, wished to reclaim the throne for himself as the rightful heir.  During the dispute Seth stole one of the eyes of Horus whilst the deity was asleep, the eye identified with the moon.  In another version both the eyes were removed.  The stolen eye or eyes were, in different versions, either buried, thrown into the Primeval Ocean or swallowed by Seth.  In some versions of the myth Seth broke the eye into pieces.  This, or these, had to be restored by, in different versions, either the deity Thoth or the goddesses Hathor or Isis.

The term wedjat, usually associated with the symbol of the Eye, seems originally to have referred specifically to the left (lunar) eye of Horus, meaning whole, complete or restored, but has become adopted as a general description for all representations of the Eye.   The term wedjat also seems to refer to the version of the myth where the eye is split into pieces by Seth and has to be reconstructed before it can be restored to Horus.  After the eye was restored by Horus it was named the wedjat eye, the lunar left eye.  The power of the wedjat eye helped Horus to restore his father Osiris to eternal life in the netherworld where he reigned over eternity.

An additional section of the Contendings recounts that Horus gave his recovered eye to Osiris as an offering.  When Osiris accepted the offering and ate the eye he was given life.  Again, the themes connected with the eye of Horus are associated with healing and restoration.
Just to add to the confusion in some accounts the right eye of Horus, the solar eye, is the eye of Ra.  In the Middle Kingdom Coffin Text number I Bastet is equated with the eye of Horus.  In the 19th Dynasty Papyrus of Hunefer, Thoth is shown offering the wedjat eye to the divine cow, and the 19th Dynasty Papyrus of Ani now in the British Museum shows a cow emerging from the mountainside with the wedjat eye in place of her own eye.  On the whole, however, the Eye of Horus is connected with Horus alone.
The combined ideas of healing, restoration and protection probably account for why the emblem was such a popular theme in ancient Egypt, often being made into personal amulets.  The ideas of health and restoration also led to the Eye being incorporated into funerary rites.
Early rulers had their names represented in rectangular frames calledserekhs.  A serekh consisted of a vertical rectangle with a palace façade at the bottom, the name contained within the rectangle about the façade and the Horus falcon sitting above.  These are known as their Horus names.  An early example is the serekh of the third ruler of the First Dynasty, Djet.  The Horus falcon was show at rest until the reign of King Djer, from when it was shown poised for flight.  Later on the king was given four additional official names, one of which was the Golden Horus name.  As with the name of Ra, the name of Horus was frequently incorporated into the king’s name, as with the name of the Eighteenth Dynasty pharaoh Horemheb, where the Hor part of the name stands for Horus.

Continuing on... from this abominable website
 13. Recieve the "Spirit of the Watcher?"
 20. Obey all superiors even if the Head is Lucifer!
Do you notice the same ancient paganistic symbology in the picture?

This website gives me the creeps! Sure looks modest to me! Jeans and a short skirt! Blah...

 From their website: Nothing like a little Rock and Roll to mix in with Catholicism. These are the types the NEO-SSPX think are healthy now. Whats next for an intro: Bishop Fellay strumming on a Electric guitar? Whats next Michael Matt playing a Saxophone? John Venari jamming out on a tuba? Chris Ferrera banging on pots and pans while Fr. Fortuna raps? Wake up... the Conciliar Church is not Catholic Church it is another religion. This intermixing is deadly...

Related Websites

Latin Mass Society USA/Canada


Latin Mass Society USA Blog


Holy Wood Acting Studios


Anthony Perlas Founder Latin Mass Society USA/Canada


An award-winning Catholic serial entrepreneur, Anthony Raphael Perlas is the founder of four timeless new media technology organizations, including the Latin Mass Society of the United States and Canada. He is sponsored by Microsoft’s prestigious BizSpark program, a selective program that sponsors promising startups and entrepreneurs. Mr. Perlas is head of Seroptics Corporation, an advertising and modeling agency, as well as a wedding photography business called Anthony Raphael Perlas Photography (http://apphotograph.com) that specializes in Latin Mass weddings. His award-winning photographs and work have appeared at Catholic News Service, Cardinal Newman Society, Stand True, Life News, Fr. Z’s blog, and Rorate Coeli. e is also part of the few selected invite-only Catholic leaders (alongside the Presidents of the Cardinal Newman Society, EWTN, CSS International, Catholic Chapter House, Belmont Abbey College, John Paul the Great Catholic University, Christendom College and more!) in a private conference to proclaim His God-authored mission of bringing back the Latin Mass to the United States and Canada. 
*And you wonder why I tell you to avoid these pseudo traditionalist groups!

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ADDENDUM: It gets better He is connected to Michael Voris as well (What a shocker!)
Anthony Raphael Perlas :
Film Editor / Marketing for St. Michael’s Media and Church Militant
location Greater Detroit Area industry Marketing and Advertising
Film Editor / Marketing at Church Militant / St. Michael's
Church Militant / St. Michael’s Media
Church Militant / St. Michael’s Media
Church Militant / St. Michael’s Media
We’re also press-recognized by the Catholic News Herald and the Cardinal Newman Society.
We’re recognized by Life-Site News, Stand True and Fr. Z’s (WDTPRS.COM) Blog.
Altar Server
Archdiocese of Los Angeles (FSSP)
Member / Officer
Knights of Columbus
Choir (Tenor)
St. Thomas More Catholic Church (Oceanside, CA)
“Thou Shalt Obey and Honor All Superiors Even If the Head is Lucifer.”

Featured in the Rorate Coeli and Fr. Z's BlogAn authentic traditional society 
"Everything you love about the Solemn High Mass - the liturgy beautifully sung, Gregorian Chant, a speaker and dinner afterwards, consisting of loving brothers and sisters - is everything you'll love about the Mass in the Extraordinary Form (no such thing)." ~lmssociety

Related (Pseudo- Traditionalism):
http://tradcatknight.blogspot.com/2015/01/against-pseudo-traditionalism.html http://tradcatknight.blogspot.com/2014/07/comfort-of-pseudo-traditionalist.html http://tradcatknight.blogspot.com/2014/11/tradcatknight-radio-michael-voris.html http://tradcatknight.blogspot.com/2014/04/false-resistance-or-masked-pseudo.html http://tradcatknight.blogspot.com/2015/06/neo-sspx-remnant-rorate-sellouts-yes-sir.html
http://tradcatknight.blogspot.com/2015/06/snake-in-grass-bishop-fellay-judge.html http://tradcatknight.blogspot.com/2015/03/msgr-pozzo-fellay-is-working-for-us.html http://tradcatknight.blogspot.com/2015/06/fr-kramer-sspx-agreement-with-vatican.html http://tradcatknight.blogspot.com/2015/06/resistancecatechism-of-crisis-in-sspx.html

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  1. What does this group's logo mean (the upper left corner of the picture)? It looks like two, intertwined, winged eels topped with a Greek lowercase delta (ẟ), but with a dot in it.

  2. Actually, Fr. Z and others are denying any connection to this man, saying he falsely claimed endorsements.

  3. Please people, stop creating divisions like the protestants. Do you want our Church broken in thousands of fragments? It came to a point that it become robot like repetition, the falsehood they say about our Church.

  4. Aurora--our unity comes from our ONE FAITH, not our peaceful brotherhood. Read the Catechism of the Council of Trent PLEASE.